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超高流明的霓虹灯箱、LED巨屏强势占领了城市公共空间。视觉过剩应接不暇的当今，难免在百花齐放中目盲又盲目。在ACG (Animation, Comics and Games)、萌文化、盲盒热等稚趣文化盛行的背后，可以从中窥见的是撕开成年人伪装的童真，在现实的纷乱中紧握手中七彩气球的侷促和自愈。

Lutra Gallery獭獭画廊本次群展《目·童》的作品来自亚洲多国的八位艺术家们，他们用色彩鲜明的艺术语言呈现出当下自我审视与童年的回望。透过画中主角的眼睛，试图重新定义“天真”的复杂性，带领观众的目光，从多元视角呈现出各异的童年。

Ultra-high lumen of neon light boxes and LED giant screens forcefully occupy the urban public space. In today's overabundance of vision, it is hard to avoid fatigue in the blooming. Behind the popularity of childish and interesting cultures such as ACG (Animation, Comics and Games), Cute culture and Blind box craze, we can see from them the innocence of tearing off the disguise of adults and the awkwardness and self-healing of grasping colorful balloons in the chaos of reality.

Lutra Gallery's group exhibition "Mu · Tong" is composed of eight artists from many Asian countries. They present their current self-examination and childhood looking back with colorful artistic language. Through the eyes of the protagonists in the paintingas, the artists try to redefine the complexity of "innocence" and lead the audience's eyes to present different childhoods from multiple perspectives.

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